Paris Fashion Week channels humor, animated film for spring | Entertainment


PARIS (AP) – As tired fashionistas made their way to the end of Paris Fashion Week’s 96 physical and digital Spring / Summer runway shows, Saturday’s catwalks provided the spark to keep the energy going despite the rain and the gray sky. Some of the world’s best designers have channeled humor, vivid colors, innovative design techniques, and even animated films for ever more imaginative presentations.

Here are some highlights of the spring-summer 2022 ready-to-wear collection:

VIVIENNE WESTWOOD CHALLENGES DESCRIPTION

Andreas Kronthaler for Vivienne Westwood was in distinctively eccentric form.

Blending Glam Rock references from Westwood’s heyday of the 80s with historical reflections and firm language, Kronthaler created 66 fashion pieces and put on one of the funniest shows of this Parisian fashion season.

On a plasma screen that projected enlarged images of architecture and textiles, mannequins presented styles that almost defied description.

Did the pale wedding dress with invisible scaffolding at the back resemble a tent, or was it meant to evoke a garment that had been hung to dry on a clothesline? A giant white historic hat has a slim shape, but on closer inspection it was made from a plush toy bearing the face of a bearded old man.

But if the humor was undeniable, there were also many moments of sublime fashion design. A trompe-l’oeil dress had a pale blue fabric “floating” abstractly down the front. The simpler looks were also some of the best, including a draped white dress with beautiful dynamic material.

ANREALAGE BECOMES CREATIVE

Avant-garde Tokyo house Kunihiko Morinaga has built a huge fan base in Japan for its daring concepts that merge art and fashion.

Saturday, Morinaga did not disappoint.

The award-winning designer has gifted fashion editors a collaboration with Oscar-nominated Japanese animation filmmaker Mamoru Hosoda. It was a fashion short set in the land of “U” – with clothing that evoked the iconic sci-fi movie “Tron”.

The polygonal silhouettes made from fabric triangles in his signature patchwork were immersed in the fictional universe of a sort of futuristic Japan.

They were made from vintage clothing and high-tech reflective fabrics which the house says were made using a special bonding technique. The models’ matching platform sandals were adorned with the same pattern. It was an interesting commentary on how the digital world has affected the fashion industry.

Morinaga said the idea for the show started when Hosoda asked him to create the virtual stage costume for a concert scene in “BELLE” (2021), his upcoming animated feature.

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Thomas Adamson can be followed on Twitter.com/ThomasAdamson-K

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